With a voice as intimate as a journal entry and melodies that echo like memory, Kim Edwards crafts cinematic, emotionally rich songs that feel both timeless and deeply personal. A Lehigh Valley, PA-based singer-songwriter with roots in classical piano and a love for storytelling-driven pop Edwards writes vignettes—poetic snapshots of longing, love, and quiet resilience.

Over the years, Edwards has developed a signature sound: moody, melancholic, and lush with introspective nuance. Inspired by the likes of Ingrid Michaelson, Regina Spektor, and Sleeping At Last, she blends lyrical vulnerability with orchestral textures often drawing comparisons to her influences while carving out a sonic world uniquely her own.

Her songs have found homes in branded content for Chaco Shoes, Paraxel, and Disney Weddings, and her cover of “Auld Lang Syne” garnered over 150K Spotify streams after landing a spot on the platform’s Folksy Christmas playlist. In 2013, she was selected from hundreds of applicants for ASCAP’s prestigious Jerry Ragovoy Songwriters Workshop in NYC, has performed twice at Musikfest in Bethlehem, PA, and in storied venues like The Bitter End, Eddie’s Attic, and Bluebird Cafe.

Among her most meaningful career moments, Kim had the rare honor of opening for The Beach Boys—a lifelong dream realized for the devoted fan—and also shared a stage with Jars of Clay at a local festival. These highlights underscore her steady dedication to her craft and the quiet authenticity that resonates through her music.

Edwards is embracing music on her own terms. Her forthcoming album, Vignettes, is the most personal and fully realized project of her career. Co-produced by Jared Salte, the album serves as a dream fulfilled: “Each song has its own special place in my heart,” she says. “There’s not a single filler.”

Now a mother and entering into a reflective new chapter, Kim Edwards stands as a reminder that in a world obsessed with virality and speed, artistry rooted in depth, patience, and honesty endures. Her music offers a quiet refuge for the reflective listener—those seeking comfort, catharsis, or simply the feeling of being seen.

- Dawn Jones